Here is our finished product of the music video which I created, in my next few posts I will evaluate how the music video, magazine advert and digipak link together and whether they represent certain media theories.
Tuesday, 27 March 2012
Magazine Advert - Final Product
Here is our finished product of the music video which I created, in my next few posts I will evaluate how the music video, magazine advert and digipak link together and whether they represent certain media theories.
Saturday, 24 March 2012
Digipak - Final Product
Below is our finished digipak which I shall evaluate along with the music video and magazine advert in the next few posts;
Wednesday, 21 March 2012
Music Video - Final Project
Here is our finished music video which I will analyse in the next week and evaluate what it represents..
Thursday, 8 March 2012
Postmodernism
Another theory we have just started in Media in order to analyse our video is postmodernism. Below is a powerpoint with an introduction to Postmodernism;
Postmodernism
View more presentations from EssexDaggerBC94.
Monday, 5 March 2012
The Three Act Structure
In Hollywood films the narrative tends to be organized in what is called the 'three act structure'.
The writer Sid Field has identified what he calls the ideal Paradigm three act structure.
In this structure, a film must be set up within the first 20-30 minutes before the main characters or protagonist experiences a 'plot point' that gives him or her a goal that must be achieved.
Approximately half the movies running time must be taken up with the character's struggle to achieve his of her goal: this is the confirmation period.
Field also refers sometimes to the midpoint, a more subtle turning point that happens in Act II - the confirmation which often had as an apparently devastating reversal of the main characters fortune.
The final quarter of the film (the Third Act) shows a struggle by the protagonist to finally achieve (or not achieve) his or her goal and the aftermath of this struggle.
The writer Sid Field has identified what he calls the ideal Paradigm three act structure.
In this structure, a film must be set up within the first 20-30 minutes before the main characters or protagonist experiences a 'plot point' that gives him or her a goal that must be achieved.
Approximately half the movies running time must be taken up with the character's struggle to achieve his of her goal: this is the confirmation period.
Field also refers sometimes to the midpoint, a more subtle turning point that happens in Act II - the confirmation which often had as an apparently devastating reversal of the main characters fortune.
The final quarter of the film (the Third Act) shows a struggle by the protagonist to finally achieve (or not achieve) his or her goal and the aftermath of this struggle.
Thursday, 1 March 2012
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